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Island SPACE To Host Inaugural Caribbean Book Fair Last Weekend in October 2024

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Sean Henry (left) and David I. Muir (right), co-author of Pieces of Jamaica, with guests at an Island SPACE Caribbean Museum book signing in 2022. | Photo courtesy of Island Syndicate

A Two-Day Celebration of Caribbean Literature and Culture

Plantation, FL – October 14, 2024 – Island SPACE Caribbean Museum, a leading cultural hub dedicated to heritage and culture, announces its inaugural Caribbean Book Fair, set to take place on the weekend of October 26th and 27th, 2024. This free two-day event, supported in large part by an Institute of Museum and Library Services (IMLS) grant, will celebrate Caribbean literature and culture with a diverse range of activities for all ages.

A Platform for Caribbean Voices

Island SPACE Caribbean Book Fair aims to amplify the voices of Caribbean authors and stories, offering a platform for both established and emerging writers. Through author readings, book sales, informative workshops and lively discussions, the event will explore the richness of Caribbean and Caribbean-themed literature and its impact on global culture. The fair will also provide valuable insights into publishing and foster connections among writers, readers, content creators and members of the publishing industry.

Participating writers, panelists and workshop presenters will represent Jamaica, Haiti, Barbados, Dominica, Trinidad & Tobago, Bahamas, Puerto Rico, Cuba, Dominican Republic, Sint Maarten, the US Virgin Islands, Antigua & Barbuda, St. Lucia, Belize and Grenada.

This event is made possible with the support of the Broward County Cultural Division, Alexandra P. Davis, “King” George Jograj, Dr. Lydia Malcom of Authentic Behavioral Health LLC, and her husband, Mr. Waynewright Malcolm, the William Jaume Charitable Fund at Our Fund, and the following funds at the Community Foundation of Broward: Judith Cornfeld Fund for the Arts, Helen and Frank Stoykov Charitable Endowment Fund, The Frederick A. DeLuca Foundation Broward Community Fund and Samuel F. Morrison Community Impact Fund.

Island SPACE To Host Inaugural Caribbean Book Fair Last Weekend in October 2024
Auntie Freda engaging kids in reading at the 2022 Anancy Festival. | Photo courtesy of Island SPACE Caribbean Museum

Day One: A Day for Kids and Young Adults

11:00 a.m. to 2:00 p.m. – Kids

3:00 to 6:00 p.m. – Young Adults

Island SPACE Caribbean Book Fair kicks off on Saturday, October 26th with a full day of programming designed especially for kids and young adults. 

From 11 a.m. to 2 p.m. elementary school aged kids and their parents will enjoy children’s book author readings, book sales, workshops on creative writing, illustration and acting out stories, while parents can enjoy an early afternoon “Freedom to Read” panel discussion on censorship activism and what can be done about it. 

From 3 to 6 p.m., young adults will enjoy readings and Q&A sessions featuring works by Caribbean authors and stories about the region, and engaging creative workshops on writing for prose, poetry and music. The day will culminate with a lyrical performance showcase, with spoken word and rap, that offers opportunities for audience participation, making it an unforgettable experience for young readers and aspiring writers alike. Attendees can also enjoy a few end-of-day mocktails with the authors and presenters.

Participating authors and panelists on day one include Dr. Carole Boyce Davies, Dr. Tameka Hobbs, Dr. Ettosi Brooks and Dr. Winsome Miller Rowe, with workshop facilitators Darius Dougherty, Omilani Alacon and Frances Marie Coke, while lyrical showcase judges include Black Dada and Frank!e Red.

Island SPACE To Host Inaugural Caribbean Book Fair Last Weekend in October 2024
Frank!e Red entertains an Island SPACE audience with her lyrical prowess at HERS 2023. | Photo by David I. Muir (Island Syndicate)

Day Two: Engaging a General Audience

On Sunday, October 27th, the fair continues with programming tailored for a broad, general audience. Attendees can meet authors, listen to readings and ask questions, explore books with Caribbean themes, and join workshops and panel discussions on salient topics in the worlds of traditional and self-publishing. The day will conclude with another exciting lyrical performance showcase, inviting attendees to join in and celebrate the dynamic culture of the Caribbean.

Day two authors and panelists include Dr. Solanges Vivens, Geoffrey Philp, Alex Bruno, Lloyd Stanbury, Alfonso Brooks and Dr. Shelly Cameron, workshop instructors include Calibe Thompson and Dr. Triphi Margaret Wallace, and Mecca aka Grimo will rock the stage during the evening’s lyrical showcase.

Island SPACE To Host Inaugural Caribbean Book Fair Last Weekend in October 2024
Guests engaging with panelists at an Island SPACE panel discussion in 2023. | Photo by Calibe Thompson (Island Syndicate)

Free to Attend – Registration is Open Now

This inaugural event is free to attend, making it accessible for everyone interested in Caribbean literature and culture. For more information about the event, including the daily programming schedule, sponsorship opportunities, and other ways to get involved, please visit https://islandspacefl.org/bookfair2024. 

Experience the power of Caribbean stories and discover new voices shaping the future of literature.

About Island SPACE

Island Society for the Promotion of Artistic and Cultural Education (Island SPACE) is a 501(c)(3) nonprofit organization dedicated to the advancement of arts, culture, history, and educational initiatives representing the Caribbean region in South Florida and the broader diaspora community.

To learn more about Island SPACE Caribbean Museum, visit islandspacefl.org and follow them on social media. The museum is open Thursday through Saturday from 11 a.m. to 7 p.m. and Sunday from 11 a.m. to 6 p.m. at the Broward Mall, 8000 West Broward Blvd., Suite 1202, Plantation, Florida 33388. Admission is $15 for adults and $7 for children. Group tours are available by reservation. Visit our website, call 954-999-0989, or email [email protected] for more information.

Miami Broward Carnival Extends Sympathy And Support to Those Impacted by Hurricane Milton as the South Florida Community Prepares to Celebrate 40 Years of Caribbean Culture

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Guest Admin
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Miami Broward Carnival Extends Sympathy And Support to Those Impacted by Hurricane Milton as the South Florida Community Prepares to Celebrate 40 Years of Caribbean Culture
Photo by David I Muir

The Miami Broward Carnival Host Committee extends its heartfelt sympathies and prayers to all those affected by Hurricane Milton. As the West Coast and Central Florida face the devastating aftermath impacts of this Category 3 storm, we reaffirm our commitment to helping to support all rebuilding and restoration efforts. Miami Carnival has always been a symbol of resilience, joy, and togetherness; this year is no exception.

We stand in solidarity with the affected families and communities. As we prepare to celebrate the 40th anniversary of Miami Carnival this weekend, we do so with a deep sense of gratitude for the traditions and community bonds that have carried us. Our thoughts are with all impacted communities as they begin the journey toward recovery and healing. 

As part of this year’s milestone celebration, Miami Carnival, the City of Lauderhill and the City of Miami will honor the contributions of Soca legend Machel Montano at the Miami Broward Panorama on Friday, October 11, at the Central Broward Park in Lauderhill and the Miami Carnival Parade of Bands and Concert on Sunday, October 13 at the Miami Dade County Fair & Expo, Inc.

Montano, a Grammy-recognized, multi-award-winning artist, and producer, has brought joy and pride to the Caribbean diaspora through his music for decades. As the King of Soca, Montano has won ten Road March titles, a prestigious honor in Trinidad & Tobago Carnival. 

In the spirit of giving back and solidarity,  Miami Broward Carnival and Montano call on the broader community in supporting the Caribbean Strong Relief Efforts in partnership with the Global Empowerment Mission (GEM), which has already mobilized to provide aid to those impacted by Hurricane Milton. As part of our commitment to supporting the Caribbean community, Miami Carnival will be donating to these relief efforts and encouraging all to contribute, whether through time, donations, or resources, to support the ongoing relief efforts.

For more information:

Yours in culture,

A close-up of a signatureDescription automatically generated

Joan Ragoonan-Justin

Chair, Miami Broward Carnival Host Committee

Pérez Art Museum Miami Announces Recipients of Fifth Annual Caribbean Cultural Institute Fellowship

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From left to right: Arthur Francietta, Claudia Claremi, Emilie Boone.

Open to Artists, Cultural Practitioners, and Scholars from the Caribbean and its Diasporas, the Program Catalyzes Creative Projects and Research Advancing Caribbean Art and Scholarship

(Miami, FL — October 10, 2024) — Pérez Art Museum Miami (PAMM) is pleased to announce the recipients of the fifth cycle of the Caribbean Cultural Institute Fellowship (CCI), selected through an open call by Iberia Pérez González, Andrew W. Mellon Caribbean Cultural Institute curatorial associate; Laura Novoa, assistant director of programs + community engagement at Bakehouse; Aldeide Delgado, independent curator and founder and director of WOPHA (Women Photographers International Archive); Marie Vickles, PAMM senior director of education; and Gilbert Vicario, PAMM chief curator. With the support of the Andrew W. Mellon Foundation, CCI is a program that aims to advance the study of Caribbean art while providing opportunities for exchange and collaboration across the Caribbean region and its diasporic communities.

“We are excited to welcome the fifth cohort of artists and scholars to this year’s Caribbean Cultural Institute Fellowship Program,” said PAMM Director Franklin Sirmans. “As a leading institution in contemporary Caribbean art, PAMM is dedicated to championing Caribbean arts and culture, supporting the artists, and advancing research in this vital field.”

The 2024 CCI Fellowship recipients include Arthur Francietta, a graphic designer and visual artist from Martinique; Claudia Claremi, an artist and filmmaker of Cuban descent; and Emilie Boone, an art historian and researcher of Haitian descent. As in previous iterations, this year’s CCI Fellowship cohort represents the wide cultural diversity of the region, with a focus on vernacular written and visual languages and experimental lens-based media.

“I am honored to welcome and support this extraordinary group of Fellows to Miami, where they will have resources, time, and space to develop their research and creative practice,” said Iberia Pérez González, Andrew W. Mellon Caribbean Cultural Institute curatorial associate. “I look forward to seeing how their projects will unfold during the fellowship period and beyond.”

The Caribbean Cultural Institute strives to provide visibility to Caribbean art in Miami through partnerships with local art organizations and institutions. This year, the CCI and WOPHA are joining forces with El Espacio 23, a contemporary art space founded by collector and philanthropist Jorge M. Pérez. El Espacio 23 will host 2024 CCI + WOPHA Fellow Claudia Claremi during her one-month residency in Miami.

In addition to conducting archival research and actively engaging with Miami’s Caribbean community and cultural ecosystem, Claremi will be participating in the 2024 WOPHA Congress, titled “How Photography Teaches Us to Live Now,” which will take place on October 23–26, 2024 at PAMM and various locations across South Florida. 2024 CCI Research Fellow Emilie Boone will also be participating at the WOPHA Congress in the CCI-supported panel titled “Caribbean Photography History” which will discuss the Caribbean’s relationship to photography and the complexities of studying the medium’s history in the region.

2024 CCI Artist Fellow Arthur Francietta will spend two months in Miami between October and December, and will have a dedicated studio space at the Bakehouse Art Complex, further solidifying the cultural partnership between PAMM and the Bakehouse that began in 2021. This inter-institutional collaboration provides Caribbean artists the opportunity to connect with local artists, taking advantage of Bakehouse’s art facilities and resources, and further expanding their practices through experimentation.

During the CCI Fellowship, Arthur Francietta will explore the creation of a Caribbean writing system, focusing on its materiality and medium of expression, and reflecting on questions such as: “What would a Caribbean writing system be? What would its materiality be, but more importantly, what would its medium of reception and expression be?” The project aims to delve into the mythology of Caribbean graphic systems through blending lettering and typography.

Claudia Claremi will expand on her ongoing series La memoria de las frutas (The Memory of Fruits), a large-scale research-based project studying the sensory and emotional bonds people have with fruit. In this new chapter, she will focus on members of the Caribbean migrant communities in Miami and their personal memories of Caribbean fruits.

Using black-and-white 16mm film and 35mm photography to capture the empty hands of participants—who gesture as they recall different fruits—and text fragments derived from their oral testimonies, she sheds light on the larger impact of industrial agriculture in the Caribbean, the migratory pathways of fruit and humans, the diminishing presence of fruit trees in Caribbean yards and streets, and the challenges Caribbean people face in accessing fruit that was once plentiful. Once complete, La memoria de las frutas will form a collective narration of the structural causes of this cultural disconnection and oblivion while, in the process, restoring individual histories and honoring the fruits associated with them.

Emilie Boone will explore how Haiti and its history of photography illuminate the nature of photography’s impact on various interlocutors across time. In addition to considering historical case studies, she will ask, “What can contemporary artists teach us about photography and Haiti?” and, in relation, “What is misunderstood about Haiti and photography when these sources remain overlooked?” Recent portraits, multimedia works, and curatorial projects related to Haiti highlight the complexity of photography’s role within the contours of the country’s broader history and in contemporary moments when its absence is as influential as its presence.

The recipients of last year’s CCI Fellowship were Petrina Dacres (Research Fellow), Shannon Alonzo (Artist Fellow), and Farihah Aliyah Shah (CCI + WOPHA Fellow).

ABOUT THE 2024 CCI ARTIST FELLOWS

Arthur Francietta is a graphic and typographic designer and artist from Martinique. His work explores the intersections of design, graphic divination, and sensitive territories. In his practice, he examines signs, scripts, and images, blending a designer’s research methodology with a mixed-media artistic approach—weaving, patterns, writing, and tracings—while exploring themes of futurism. How can proactive anticipation of the future shape our present? This question guides his artistic work.

Claudia Claremi is an artist and filmmaker. Her work combines video, analog film, photography, installation, sound, and text. She graduated from the International Film and Television School of San Antonio de los Baños (Cuba) and the University of the Arts London. Claremi has been an artist in residence at Beta-Local (San Juan, PR), Centre for Artists in Residence at Matadero Madrid Centre for Contemporary Creation, Visual Studies Workshop (Rochester, NY), and The Clemente (New York).

Her films have been screened at Ann Arbor Film Festival, Rotterdam Film Festival, Raindance Film Festival, International Short Film Festival Oberhausen, and Guadalajara International Film Festival, and her work has been shown at the Center for Visual Art at the Metropolitan State University of Denver, Museo de Arte Moderno de Medellín, Haus de Kulturen der Welt (Berlin), La Casa Encendida (Madrid), Museo CA2M (Madrid), and Museo Reina Sofía (Madrid), among others.

Emilie Boone is an assistant professor of African American/African Diaspora Arts in the Department of Art History at New York University. She researches and teaches the art and visual culture of the African diaspora with a focus on vernacular photography and global encounters. She is the author of A Nimble Arc: James Van Der Zee and Photography (Duke University Press, 2023). Her research appears in the first comprehensive publications on the history of Haitian photography and the Ghetto Biennale in Port-au-Prince as well as in museum catalogues published by UCLA, the Metropolitan Museum of Art, the Museum of Modern Art, and the Art Institute of Chicago.

ABOUT THE CARIBBEAN CULTURAL INSTITUTE

The Caribbean Cultural Institute (CCI) is a curatorial and research platform at Pérez Art Museum Miami (PAMM) dedicated to promoting and supporting the artistic and cultural production of the Caribbean and its diasporas through exhibitions, research, fellowships, public programs, and collection development.

ABOUT PAMM

Pérez Art Museum Miami (PAMM), led by Director Franklin Sirmans, promotes artistic expression and the exchange of ideas, advancing public knowledge and appreciation of art, architecture, and design, and reflecting the diverse community of its pivotal geographic location at the crossroads of the Americas. The nearly 40-year-old South Florida institution, formerly known as Miami Art Museum (MAM), opened a new building, designed by world-renowned architects Herzog & de Meuron, on December 4, 2013, in Downtown Miami’s Maurice A. Ferré Park.

The facility is a state-of-the-art model for sustainable museum design and progressive programming and features 200,000 square feet of indoor and outdoor program space with flexible galleries; shaded outdoor verandas; a waterfront restaurant and bar; a museum shop; and an education center with a library, media lab, and classroom spaces.

8 Things to Know About Caribbean Folklore Month

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Hannah Gulics
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8 Things to Know About Caribbean Folklore Month

Every October, Caribbean Folklore Month honors the traditions, legends and myths that are a unique part of the Caribbean identity. Though the movement to celebrate folklore in October had been around for a while, it was officially established in 2021 by Caribbean Books Foundation. Since then, various Caribbean nations, communities, authors and poets at home and abroad have dedicated October to showcasing their take on classic folk stories, traditions and beliefs.

With influences from the international cultures that make up a melting pot, Caribbean folklore is a reflection of the region’s diverse heritage and continued cultural amalgamation. Here’s some of what you should know:

1. About Caribbean Folklore Month

Caribbean Folklore Month highlights the importance of preserving oral traditions and cultural narratives passed down through generations. Stories about characters like the trickster Anancy who is recognized in many Caribbean countries, mischievous Bacoo primarily found in the Dominican Republic or the daunting Heartman of Barbados entertain while also serving as tools for education, social unity and cultural preservation. 

2. Cultural Melting Pot of Folklore

Caribbean folklore is a unique blend of influences. West African stories and deities brought over by enslaved peoples, merged with Indigenous Caribbean tales and European colonial myths to create a folklore that is unlike any other. Post-colonial migrations from India and China further enriched these narratives, adding layers of complexity to Caribbean storytelling traditions. After being passed down for generations, with each country adding in their own twists and turns, Caribbean folklore has an even more complex web of narratives. 

3. Connection to Spirituality

Many Caribbean folklore stories have strong spiritual or religious undertones. The influence of African spiritual practices, such as Obeah, Voudon and Orisha, are evident in tales about spirits, possession, and magic. These stories reflect a worldview where the supernatural and the physical worlds are closely intertwined, and they often serve as a way to explain life’s mysteries.

4. Popular Figures in Caribbean Folklore

Some of the most iconic characters in Caribbean folklore have their roots in African and Indigenous traditions. They include:

  • Anancy: Originally from West African folklore, Anancy is the trickster spider known for his cunning and mischief. Though small, Anansi frequently outsmarts larger, more powerful animals in his tales.
  • La Diablesse: A figure from French creole folklore, La Diablesse is a beautiful woman with one cloven hoof. She lures men into the forest, where they become lost forever. Her story serves as a cautionary tale against temptation and deceit.
  • Duppy / Jumbie: A malevolent ghost or spirit in British-Caribbean folklore, the duppy or jumbie is believed to cause illness or death if not properly appeased. These spirits are often believed to dwell in silk cotton trees, places of traditional significance across many Caribbean islands.

5. Folklore’s Role in Identity and Education

Caribbean folklore plays a crucial role in educating children about cultural values, norms and societal expectations. While certain “facts” may change during each retelling, common themes in these stories include moral lessons, explanations for natural phenomena, and tales of trickery. Despite their differences, universal messages about humanity, community and the battle between good and evil prevail. 

Storytelling in this tradition has historically been an oral practice, with stories shared by elderly members of the community around fires, particularly in rural areas. In modern times, these stories are shared in books, plays, events and even digital media, ensuring their survival in the face of globalization.

6. Caribbean Folklore’s Influence on Literature, Art and Culture

The rich narratives of Caribbean folklore have significantly influenced Caribbean literature, art and theater. Writers such as renowned St. Lucian poet Derek Walcott, Barbadian poet Kamau Brathwaite, and British novelist Jean Rhys, who grew up in Dominica, have drawn heavily on Caribbean myths and legends in their works, often using folklore as a metaphor to explore themes of identity, colonialism and resistance.

8 Things to Know About Caribbean Folklore Month
The Soucouyant
(Art by Gemgfx on DeviantArt)

Visual artists and musicians have also embraced these themes, using folklore to explore the region’s history and to create a distinct Caribbean arts aesthetic. The characters and stories of folklore appear in Trinidadian Calypso music, the Jamaican folk sound of Mento, and other colloquial folk music genres from around the region. 

Popular events in the Caribbean often trace their origins to local folklore. Many believe that the pre-dawn, chaotic tradition of J’ouvert, which started in Trinidad & Tobago, may be linked to legends of the soucouyant — a shape-shifting, blood-sucking witch who sheds her skin at night to feed on her victims. According to folklore, the soucouyant must slip back into her skin before dawn, but if someone sprinkles salt on her discarded skin, she becomes trapped, unable to re-enter, which some say explains the revelry, disruption and messiness of J’ouvert’s early hours.

7. Global Celebrations of Caribbean Folklore Month

While Caribbean Folklore Month is mainly celebrated in the islands, the diaspora communities in places like the United States, Canada and the UK also join in. These celebrations often include storytelling festivals, exhibitions and performances, giving people from the Caribbean and beyond a chance to connect with this essential aspect of Caribbean culture.

8 Things to Know About Caribbean Folklore Month
Story and Myth founder Kristie Stephenson

In New York, for example, the Caribbean Cultural Center African Diaspora Institute hosts events throughout October. Similarly, in South Florida, Island SPACE Caribbean Museum has previously organized a “Malloween” and Caribbean folklore event with Story and Myth founder, Kristie Stephenson. This year, the Caribbean Books Foundation is continuing their digital efforts started in years past with “31 Days of Caribbean Folklore,” sharing a new book or author every day throughout October 2024. 

8. Key Events and Festivals

To celebrate Caribbean Folklore Month, several festivals and events take place across the islands and beyond. Notable among these are:

Caribeando: Caribbean Folk and Traditional Music and Dance Performance

  • October 8, 2024
  • 5pm to 6:30pm
  • Van Cortlandt House Museum, Bronx, NY
  • This interactive performance by Juan Usera and the Sambuco Tribe will showcase traditional Caribbean rhythms like Bomba, Plena, Nengón and Changuí, allowing participants to engage in storytelling, songs, dance and drum patterns as part of the broader Caribbean Folk Songs for Kids of All Ages (CFSKAA) Project.

Pompano Beach Caribbean Fest

  • October 19, 2024
  • 5pm to 10pm
  • Pompano Community Park, Pompano Beach, FL
  • For those who are local, the 3rd Annual Pompano Beach Caribbean Fest promises a celebration of Caribbean culture with food, music and colorful performances. Headlined by Trinidadian soca sensation Nailah Blackman, the free festival also features DJ sets and live performances, offering a fun-filled day for all ages.

Film and Folklore Festival: October-Fest Caribbean Edition

  • October 26–27, 2024
  • Caribbean Cinemas, Trincity, Trinidad & Tobago
  • Get ready for the first-ever October Fest-Caribbean Edition at the Film and Folklore Festival, with an open call for Caribbean filmmakers to submit their works in folklore, Caribbean living and other genre films.

Island SPACE Caribbean Book Fair: Family Day and General Event

  • October 26–27, 2024
  • Island SPACE Caribbean Museum, Plantation, Florida
  • This inaugural two-day festival celebrates Caribbean literature and culture with a diverse range of activities for all ages. With readings, workshops, panels, activities and lyrical showcases, day 1 appeals to kids and young adults, while day 2 appeals to a general audience.

The Sweet History of Caribbean Rum Cake and Black Cake

By
Hannah Gulics
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As the holiday season approaches, the Caribbean comes alive with traditions, one of the most cherished being the baking of rum cake and black cake. These delectable desserts are more than just holiday treats, they are symbols of the region’s history, culture and communal spirit. This year, Island SPACE Caribbean Museum is set to celebrate the tradition of these traditional delights with the third annual Rum Cake and Caribbean Black Cake Fest, where the flavors of the season will be front and center. But until then, let’s take a look at the history and significance of these sweet treats.

The Origins of Rum Cake

The Sweet History of Caribbean Rum Cake and Black Cake

A popular dessert in many Caribbean households, rum cake has its roots in the region’s colonial past. Rum cake is typically a light, airy pound cake soaked in a sweet rum sauce to make a moist, boozy and flavorful dessert. 

The tradition is believed to come from travelers from Spain and England, where sailors would preserve fruit cakes and puddings with rum. Rum production began in the Caribbean in the 17th century, with the establishment of sugar plantations. The byproduct of sugar production, molasses, was fermented and distilled to create rum, which quickly became a staple in Caribbean households and an integral part of the region’s economy and culture. Incorporating rum into cake recipes was a natural progression, and thus, the rum cake was born.

Over time, these customs were adapted by enslaved people and local populations, who infused the recipes with other local ingredients and their own spices.

The Tradition of Caribbean Black Cake

The Sweet History of Caribbean Rum Cake and Black Cake

Black cake, also known as Christmas cake, fruit cake, or plum pudding in different parts of the Caribbean, is another beloved holiday dessert with a storied history. Unlike rum cake, black cake is typically dense, dark, and rich, made with a mixture of dried fruits such as raisins, currants, prunes, and cherries that have been soaked in port wine or rum, sometimes for up to a year.

The origins of black cake can be traced back to the British plum pudding, which was brought to the Caribbean by colonizers. Over time, the Caribbean people transformed the pudding into their own version by incorporating local spices, locally-made port wine, rum, and other ingredients. The cake’s dark color comes from the use of burnt sugar, molasses or “browning,” which adds depth of flavor and the characteristic hue.

In the English-speaking Caribbean, black cake is more than just a dessert, it’s a symbol of celebration, often associated with Christmas and weddings. The preparation of black cake is also often a communal activity, with families coming together to mix, bake, and share the cake during the holiday season.

Celebrating the Tradition at Island SPACE’s Rum Cake and Black Cake Fest

This year, Island SPACE Caribbean Museum, Caribbean Professionals Network and various local bakers, are bringing the traditions of rum cake and black cake to South Florida with their third annual Rum Cake and Caribbean Black Cake Fest. Taking place on Sunday, October 20th, 2024, this event offers a unique opportunity to savor the flavors of the Caribbean while kicking off the holiday season in style.

For a donation of just $15 pre-sold or $20 at the door, attendees will have the chance to sample a variety of rum and black cakes, each representing the culinary traditions of 16 different Caribbean countries, including Barbados, Belize, Curacao, Grenada, Guyana, Haiti, Jamaica, Trinidad & Tobago, the Virgin Islands and more. As Caribbean holiday music fills the air, guests can explore the museum, learn about Caribbean history, culture, and art, and decide which cake will grace their Thanksgiving and Christmas tables this year.

Yes, Men Get Breast Cancer Too

By
Hannah Gulics
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When people think of breast cancer, it’s usually seen as a women’s health issue. While this non-communicable disease accounts for less than 1% of all breast cancer cases, male breast cancer is a reality. It often goes overlooked, leading to delayed diagnoses and poorer outcomes. Raising awareness about male breast cancer is important, as early detection can significantly improve survival rates. Understanding the symptoms, risk factors and the social stigma surrounding the disease is key to encouraging more men to seek timely medical attention.

Understanding Male Breast Cancer

Breast cancer in men develops in the small amount of breast tissue they have. Just like in women, the cancer begins when abnormal cells grow uncontrollably and form a tumor. The most common type of breast cancer found in men is invasive ductal carcinoma, where cancer cells start in the ducts and spread to nearby tissue.

Men typically develop breast cancer between the ages of 60 and 70, but it can occur at younger ages. Risk factors include a family history of breast cancer, especially if they carry BRCA1 or BRCA2 gene mutations (which can be tested for), exposure to radiation, high levels of estrogen, and conditions like Klinefelter syndrome, a genetic occurrence of a male having an extra X chromosome. Obesity, liver disease and excessive alcohol consumption are also linked to an increased risk. Awareness of these risk factors can help men better understand their chances of developing the disease.

Symptoms to Look For

The symptoms of breast cancer in men are similar to those experienced by women. One of the earliest signs is a lump or thickening in the breast tissue, which is usually painless. Other symptoms include nipple inversion, skin changes, such as redness or scaling, and swelling or pain in the breast area.

Because breast cancer is not typically associated with men, many overlook or ignore these symptoms. They may dismiss a lump, think of it as a small injury, or believe that breast cancer only happens to women, leading to delayed diagnoses. In many cases, men don’t seek medical advice until the cancer has advanced, making treatment more complicated and less effective. As is the case for women, awareness of these symptoms and the importance of seeking medical attention early can save lives.

Diagnosis and Treatment

Diagnosing breast cancer in men involves similar procedures used for women, including physical exams, mammograms, ultrasounds and biopsies. Once diagnosed, the cancer is typically classified by its stage, ranging from localized to more advanced stages where the cancer has spread to other parts of the body.

Treatment for male breast cancer also mirrors that of female breast cancer and can include surgery, radiation therapy, chemotherapy and targeted therapies. In most cases, a mastectomy is performed to remove the tumor and surrounding breast tissue. Hormonal therapy may be used in cases where the cancer cells are hormone receptor-positive, meaning they grow in response to estrogen or progesterone.

The Impact of Social Stigma

One of the biggest barriers to early diagnosis and treatment of breast cancer in men is the social stigma surrounding it. Men may feel embarrassed or uncomfortable discussing it, believing that breast cancer is a “woman’s disease.” This misconception can prevent them from seeking help at the earliest signs.

Additionally, there can be a sense of isolation for men who are diagnosed with breast cancer. Support groups and resources are often geared toward women, leaving male patients feeling left out, unsupported, or like they need to keep it a secret from friends and family. This lack of awareness and available resources can contribute to the psychological burden of having breast cancer as a man, and subsequently, having to deal with it alone.

The stigma can also affect public health messaging, as most breast cancer awareness campaigns are aimed at women. This lack of representation can make it harder for men to recognize their own risk and understand the importance of self-examination and early detection.

Survival Rates and Statistics

While male breast cancer is rare, its outcomes can be severe due to delayed diagnoses. According to the American Cancer Society, about 2,700 men are diagnosed with breast cancer in the United States each year, and approximately 530 die from the disease annually. These numbers may seem small compared to the more than 250,000 women diagnosed each year, but they highlight the seriousness of the disease for men.

Survival rates for male breast cancer are lower than for women, largely because men tend to be diagnosed at a later stage when the cancer has already spread. However, if detected early, the five-year survival rate for men with localized breast cancer is about 97%. This underscores the importance of raising awareness and promoting early detection.

By breaking down the stigma, encouraging men to seek medical advice for any unusual symptoms, and providing more support tailored to male patients, we can improve the outlook for men diagnosed with breast cancer. Early detection saves lives, regardless of gender.

4 Things Everyone Should Know Before Scuba Diving

By
Emma Radebaugh
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A silver scuba diving tank and breathing gear sit alone on a white-sand beach that overlooks a clear blue ocean.

Scuba diving offers a thrilling peek into an underwater world of life and wonder. It’s an enticing activity for many adventurers, but before you take the plunge, there are several crucial things you should know. As with any activity, the more you understand about scuba diving, the more you know what to expect for a safe and enjoyable experience. Let’s delve into the things everyone should know before scuba diving.

What Scuba Diving Entails

There are numerous ways to explore the underwater world, and scuba diving is a popular one. This activity involves diving underwater with a self-contained underwater breathing apparatus (SCUBA), which allows you to breathe compressed air, known as Nitrox.

While it’s easy to assume that all diving is the same, it’s important to note that scuba diving differs from deep-sea diving. The former generally has diving limits of 40 meters, while deep-sea divers may go over 100 meters underwater. Therefore, scuba diving is far more accessible to the general public, making it a fun activity for many.

The Importance of Certification

Before you can start scuba diving, most companies require you to have certifications, such as PADI (Professional Association of Diving Instructors). Receiving certifications shows how far underwater you can dive and in what conditions.

To receive your certificates, you’ll have to attend a diving course that covers the basics of scuba diving, safety protocols, and equipment operation. These courses may vary in length depending on the level of certification you desire, but most take only a few days.

Finding the Right Place

Choosing the right location for your first dives can significantly improve your experience. For instance, you can explore Charlie’s Shoal in St Martin or Cades Reef in Antigua in the Caribbean. However, you can also go abroad; other countries, such as Indonesia, Egypt, and Thailand, offer breathtaking diving opportunities.

As you decide on the ideal location, consider the type of marine life you want to encounter and other activities you want to do on the trip. Additionally, research the weather patterns and diving conditions at your desired location to ensure a safe and enjoyable experience.

Being Aware of Your Surroundings

Another thing everyone should know before scuba diving is that you must remain vigilant. Nature is gorgeous, and it can be easy to get caught up in the beauty of underwater life, but it’s essential to stay aware of your surroundings. Pay attention to your dive guide and other divers in your group and any potential dangers, such as currents and marine life.

By remaining aware, you’re also more likely to embrace each moment, which can enhance your overall experience. Diving with a clear mind and focus allows you to fully immerse yourself in the underwater world.

The Best Caribbean Islands for Outdoor Excursions

By
Emma Radebaugh
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An Aruban beach coastline in the Caribbean Islands. Deep blue, whitecapped waves crash into the rocky shoreline.

The islands have something to offer every adventurer, whether you’re looking for hiking, snorkeling, or off-roading adventures. In this guide, we’ll explore the best Caribbean islands for outdoor excursions to help you discover hidden gems that promise exciting experiences.

Hiking Through the Lush Trails of Dominica

Dominica, also known as the “Nature Island,” is a paradise for hikers. Its untouched rainforests and towering peaks provide the perfect backdrop for adventure. One popular hiking spot is the trail to Boiling Lake, the second-largest hot lake in the world.

This strenuous hike takes you through sulfur springs, tropical vegetation, and steep inclines, but the reward is worth the effort. Dominica’s waterfalls, such as Trafalgar Falls, are also ideal for nature lovers seeking outdoor excursions. Dominica should be on your list if you love hiking and exploring dense, beautiful forests.

Zip-Lining in St. Lucia’s Rainforests

St. Lucia combines adventure with stunning scenery, making it one of the best Caribbean islands for outdoor excursions. Zip-lining through the island’s rainforests is an exhilarating way to take in the lush landscapes and views of the Pitons, St. Lucia’s iconic twin peaks.

Several adventure parks offer a variety of zip-line tours, including courses that cross over waterfalls and rivers. After your zip-lining adventure, explore the island’s geothermal attractions, such as the Sulphur Springs, or hike the Gros Piton for more excitement.

Kayaking Through the Bioluminescent Bays of Puerto Rico

Visit Puerto Rico and kayak through its bioluminescent bays for a magical experience. The two most famous bays, Mosquito Bay on Vieques Island and Laguna Grande in Fajardo offer a surreal sight as the water glows in response to your movement.

This natural phenomenon creates a stunning display at night. Paddling through these glowing waters under the stars is an unforgettable outdoor excursion that only a few places in the world can offer.

The Best Island for Off-Roading Adventures: Aruba

Aruba is a top destination for off-roading enthusiasts. With its rugged desert landscape and scenic coastline, you can explore the island’s hidden corners on a UTV or ATV. Arikok National Park, which covers nearly 20% of the island, offers exciting off-road trails where you can encounter wildlife and natural formations, such as the Natural Pool.

Knowing important UTV safety tips and wearing protective gear will help you prevent accidents while navigating the rocky terrain. Aruba’s off-road adventures provide a unique way to see the island’s wilder side.

Snorkeling and Diving in the Cayman Islands

The Cayman Islands are a top destination for underwater adventurers. The Cayman Islands is known for its crystal-clear waters and diverse marine life and is an ideal destination for snorkeling and diving. Sites such as Stingray City allow you to get up close and personal with gentle stingrays, while the famous Kittiwake Shipwreck offers a unique diving experience. The reefs around the islands are teeming with colorful fish and coral, making the Cayman Islands a must-visit for anyone who wants to explore the beauty beneath the water’s surface.

The Caribbean has something for every type of adventurer, whether you prefer exploring on land or under the sea. The best Caribbean islands for outdoor excursions offer endless possibilities for discovery and excitement. Pack your bags, lace up your hiking boots, and get ready to experience the outdoors in paradise!

Top Industries That Offer Travel Opportunities

By
Emma Radebaugh
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Travel is more than just a blissful experience; it’s an industry that influences countless sectors, making it an exciting and rewarding career path. From hospitality and tourism to technology, each sector plays a pivotal role in shaping the travel landscape. Are you job-searching or thinking about starting a more flexible career? Here are the top industries that offer many travel opportunities.

The World of Aviation

Few careers offer travel like aviation. Pilots and flight attendants explore continents and diverse cultures and enjoy exciting layovers. While the training is intense, the travel experiences and dynamic work environments are rewarding. Aircraft maintenance engineers play a crucial role in aviation safety, with their expertise allowing them to work globally and ensure smooth aircraft operations.

Health Care and Humanitarian Work

Travel nursing and humanitarian work let you explore new places while making a difference. Travel nurses fill temporary hospital shifts, meaning they must always have their essential items on hand and ready to go. Humanitarian workers offer essential aid in underserved areas. Both paths are challenging but rewarding and provide insight into global cultures and issues.

The Hospitality Industry

Hotel managers and travel agents are vital to the travel industry. Managers ensure guests enjoy their stay by overseeing operations and maintaining high service standards, often gaining opportunities with international chains. Travel agents create personalized experiences, using their own travel knowledge to enhance service. Both careers suit those passionate about travel and hospitality.

The Creative Arts

Photographers, videographers, and performing artists explore the world while pursuing their passions. Whether capturing cultural events and stunning landscapes, performing on international stages, or traveling to the island for inspiration, these careers blend art with travel. They offer the freedom to document and entertain, sharing stories with diverse audiences globally.

The Education Sector

Teaching abroad and engaging in academic research are fantastic travel and cultural immersion avenues. Educators have the chance to significantly impact students’ lives while experiencing the local culture and learning new languages. Through research, educators can share their findings, network, and collaborate internationally.

The Technology Industry

IT consultants manage tech solutions globally, often traveling to client sites to experience diverse work cultures. This career suits tech-savvy problem solvers. With the rise of remote work, digital nomads can work from anywhere, allowing for the flexibility to travel while maintaining their careers.

Food and Beverage Industry

For culinary chefs and beverage experts, the world is a classroom. Chefs explore global cuisines and techniques through international kitchens or culinary festivals. Sommeliers and brewers travel to vineyards and distilleries to master production techniques and taste unique flavors. This adventurous career allows them to dive into new culinary traditions while honing their skills.

Work doesn’t have to be boring. By choosing a career that includes travel opportunities, you’ll develop a global perspective, enhance your skills, and create unforgettable memories. This way, you can take your talents beyond your home base and grow connections all across the world.

A Conversation with Author Suzan Palumbo on Sci-Fi, Vengeance and Caribbean Roots in Her New Book, Countess

By
Hannah Gulics
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Suzan Palumbo is a Nebula, World Fantasy, Aurora, and Locus Award-nominated speculative fiction writer and editor. Originally from Trinidad and Tobago, she grew up in the west end of Toronto, Canada. Her debut short story collection, Skin Thief: Stories, was published in 2023 by Neon Hemlock Press, and her debut novella, Countess, is out now from ECW Press.

A queer, Caribbean, anti-colonial sci-fi novella, Countess follows Virika Sameroo, a first lieutenant in the Æerbot Empire’s merchant marine, who is wrongfully imprisoned for her captain’s murder. Betrayed by the empire she served, Virika embarks on a mission of revenge to dismantle the oppressive regime that has subjugated her people for generations, with their fate hanging in the balance.

We spoke to the author and got the scoop on her background in the fantasy world, social and political themes, and all things Countess.

A Conversation with Author Suzan Palumbo on Sci-Fi, Vengeance and Caribbean Roots in Her New Book, Countess

How did you get into writing?

I’ve been a lifelong lover of stories and reading. I was an ESL teacher for many years before I decided to become a writer. I started submitting stories for publication in 2015 and have been writing stories ever since.

I am a speculative fiction writer, writing primarily in the horror, dark fantasy, and science fiction genres. My short stories and other works often explore issues surrounding transformation, identity, race, immigration, sexual orientation, and gender through a gothic lens. Trinidadian folklore and culture play a large role in a lot of my work, along with hauntings and the natural world.

Can you tell us a little bit about your new book, Countess?

Countess is partially inspired by my love of The Count of Monte Cristo, a book that captured my imagination at a young age. It takes the premise of the classic by Dumas and diverges from it to reflect the journey of a queer Caribbean woman and her experiences. It is also inspired by my own personal history and the history of the Caribbean region. Themes of injustice, oppression, personal versus collective revenge, revolution, and liberation are integral to the novella. It is a deeply anticolonial story.

The book and the protagonist are very close to my heart. A lot of my experiences as an immigrant and member of the Caribbean diaspora went into crafting Virika Sameroo. I had never seen an Indo-Caribbean character portrayed in a long-form speculative work before, and I wanted to write a book that would provide that representation for readers who needed it. On a fun note, I wanted to see Trinidadian food in space. I love my food, and I wanted to see people eating roti and curry in the future!

What drew you to explore the sci-fi genre for this novella?

A lot of my work before Countess would be considered horror and dark fantasy. Those works focused largely on interpersonal conflicts and used supernatural elements to explore them. While Countess does delve into personal conflict, the novella also takes on much broader themes related to structural injustice. For example, I was interested in portraying labor solidarity in the future. I also wanted to write a book that had some semblance of the world we live in now. Science fiction was better suited to those goals.

Walk us through your process of creating a fictional universe while addressing social and political themes

I approach writing science fiction as a method of critiquing current sociopolitical concerns. Yes, Countess contains fun adventure, spaceships, swashbuckling, and romance, but built into all of those aspects of the book are concerns that Caribbean immigrants face today in Canada. Issues of racism, poverty, and discrimination are not ones that disappear simply because “it’s the future.” If we build future societies with the same colonial attitudes that we have now, the same injustices will persist. The only difference will be that instead of facing prejudice at your office job, you will encounter it on your space flight.

With that in mind, I created an interplanetary empire that had a resource-based economy and interwove all of the concerns I’ve witnessed people I love and my community grapple with.

Talk about how you approached blending Caribbean history with fiction

The parallels between the potential colonization of outer space and the brutal colonial projects set up by the British and other European empires in the Caribbean region are undeniable, in my opinion. Even the language used to discuss future space colonization mimics that used by colonists of the past—settlements, colonies, resource extraction, and the idea that space exploration is our “destiny” all echo sentiments used to rationalize and justify the appropriation of land and wealth.

Currently, private companies are developing commercial space flights and trips. This recalls the commercial interests that fueled colonial expansion in the past. The rush to send probes and rovers to planets in our solar system by governments mimics the search to be the first to “discover” and claim new trade routes, resources, and territories.

As a result, I feel the Caribbean, like many regions that have been colonized, and its history are very relevant when considering the implications of what could happen if humanity leaves Earth in search of new planets to inhabit. I think it’s completely plausible, with capitalism as the driving force behind these “ambitions,” that we will see similar injustices play out to serve exploitative projects in space.

Virika Sameroo, the protagonist of Countess, is a descendant of Trinidadians who indentured themselves to escape climate catastrophe in the Caribbean. Her journey parallels that of her ancestors, who were enslaved and indentured and brought to the Caribbean by the British Empire to work plantations for the empire’s material benefit. Virika and her allies’ push for freedom from the Æerbot Empire is analogous to, and references, the historical struggle for independence among all of the Caribbean nations. Countess is steeped in Caribbean history because I sincerely believe Caribbean history should be at the forefront of any discussion of future space colonization.

How do your cultural roots influence the world-building and characters in your work?

I was born in Trinidad, and I grew up in a very vibrant Caribbean immigrant neighborhood in the west end of Toronto. My parents immersed me in Trinidadian culture. I grew up eating Trinidadian food and listening to Soca, Calypso, Reggae, and Chutney music. My mother told me stories about jumbies, douens, soucouyants, la diablesse, and all of our folklore. My family never stopped speaking dialect when they arrived. We maintained close ties with our family in Trinidad and still do to this day.

I’ve often been told that my way of speaking and approaching the world feels Trinidadian. I can’t describe exactly what that means, but it feels like a correct assessment. My roots are not buried. I live Trinidadian culture every day. It is a part of my life, and it is present as I navigate living in Canada and being a naturalized Canadian citizen. It is part of the fabric of who I am, so it’s more than an influence—it’s inseparable from everything I do and create.

A Conversation with Author Suzan Palumbo on Sci-Fi, Vengeance and Caribbean Roots in Her New Book, Countess

How did you develop Virika’s character arc, and what message do you hope readers take away from her quest for justice?

Spoiler ahead

Edmund Dantès’ character arc in The Count of Monte Cristo served as my starting point for Virika. They both suffer injustice and have their lives destroyed by political scheming, corruption, and jealousies. But while Edmund plots cunning, personal revenge against the people who have harmed him, Virika, who is a queer immigrant woman of color, realizes that the injustices inflicted upon her are both personal and structural.

What’s happened to her could happen to anyone like her. In fact, she witnesses it happening to others. When Virika manages to free herself, she wants to exact revenge on those who have ruined her life, but she also recognizes that her community will always be vulnerable to this type of violence. She wants to protect and help the Antilleans.

This is something I watched people like my mother and other Caribbean women do while I was growing up. They’d take care of those who needed help because that’s how they ensured their community thrived. They also spread joy everywhere they went! Virika’s ultimate enemy is the empire, and her revenge is aimed at destroying it so that it will not hurt her people ever again.

The message I hope readers take away from Countess is that ensuring justice and equality for all is a worthy goal, even when all hope seems lost. Also, that human dignity and the inherent value of life are not negotiable.

What’s next on the horizon?

I am currently at work on a full-length Trinidadian-Canadian Edwardian Gothic novel, which I hope to have completed by the end of the year. This book is going to tie together one of Trinidad’s major creation myths and incorporate a queer love story and a lake monster! I’m back to my full-blown gothic horror origins with this one, and I’m excited to get it finished!

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ISLAND ORIGINS MAGAZINE is a lifestyle brand that reflects the Caribbean American community. It celebrates the accomplishments and seeks the advice of our high achievers, explores the complex social issues that affect us and our neighbors, and enjoys the frivolities of design, fashion and entertainment inspired by our colorful cultures.

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